Swimming

Set in the western suburbs of Melbourne and on the surf beaches of the Great Ocean Road, Swimming is a novel that negotiates primarily in close-ups, taking the reader into the world of the protagonist, Kate Wilks: a swimmer, a teacher and writer. This is a poignant, emotional and psychological journey of a woman confronting several unplanned changes in mid life – childlessness, sexual betrayal and the desire for creative fulfilment.

Kate is in her early sixties when the novel opens. Kate’s days are divided between swimming, writing, and spending time with her lover George (a biker and journalist, almost fifteen years her junior) and with her friends, especially her best friend, Lynne, who has early onset Alzheimers.

A chance encounter with her ex-husband Tom, propels Kate back into a past cloaked in grief, in secrets and betrayals. From this point, the narrative shifts between Kate’s present life, and her past life partly documented in an unfinished manuscript titled, ‘Writing Sarah’. Written some twenty years ago, ‘Writing Sarah’, begins with Kate’s struggles to have a child. It is an exploration of her emotional state during those years, of her relationship with Tom, of his affair with Kate’s friend Mai, and the breakdown of their marriage.

Thirty years later a friendship develops between Mai’s daughter Leesa and Kate, and so Kate is forced to reassess her past; to think about what it means to be a woman that has never had a child; she is forced to confront the destructive aspects of her own nature.

Swimming is compelling new novel about female friendship, artistic creativity, and unexpected childlessness.

Novelist, Amanda Lohrey wrote: ‘Swimming is a charming and delicate work that very early establishes the weight and authority of voice . . . beautifully paced. There is a steady poise in the telling which I responded to, a mature sympathy that manifests in the writing as an impressive composure. All through there is a quiet conviction of tone, beautifully attuned to the moral and emotional complexities of the subject. The sea is a strong presence within the text…’