Beautiful Passing

After sipping on cocktails and oysters in Melbourne's Art niche, tonight Mum and I went to the Melbourne Recital Centre to hear the Australian National Academy of Music performance of Steven Mackey's "Beautiful Passing" (2008).

The performance was strategically presented after Beethoven’s first symphony and one of Strauss’ mesmerising works, 'Metamorphosen for 23 solo strings'. http://www.youtube.com/watch?v=_kmnKvXUvvE

A wonderful evening.

Beautiful Passing, was performed in two halves and separated by a violin cadenza. It was described as..an interaction between the sharply contrasting materials of the violin and the orchestra. The orchestra develops something of a group mentality, a mass hysteria that is both scary and funny. It isn’t so much malevolent as it is mechanical and oblivious to the nuance of the violin. That insensitivity is threatening but like a bull in a china shop, also somewhat funny to observe with enough distance. Gradually, a few members of the orchestra hear the voice of reason and become supportive of the violin. After a cadenza that impresses the orchestra with fluttering delicacy the violin introduces its own version of brutality – crushing triple stops – which command, for the first time a consensus between the orchestra and soloist. In this second part they retain the individuality but conspire toward common goals, unlike the first part.

The governing metaphor of the work has to do with the violin gaining control of its own destiny, competing with, commanding and ultimately letting go of the orchestra. This metaphor arises from my experience, during the composition of the piece, watching my mother gain control of her destiny to the point of predicting the day she would let go, predicting the day of her death. Her last words to me were “Please tell everyone I had a beautiful passing."

http://www.youtube.com/watch?v=J2vmz6H5eNU&feature=player_detailpage